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Si  you've been to a biggish gig or a festival in recent years, you've had the pleasure of hearing line arrays of loudspeakers in action. But why are line arrays the current 'best practice' in large–scale PA, how did they evolve, and will they ever filter down to more modest gig venues?

C 'est l' occasion de montrer votre connaissance du chantier sonore sur le terrain.La fonction du système pa est

That wasn't hard, was it? But in case you're struggling, the function of a PA system is to deliver your sound to the audience, and deliver it well. It's as easy as that. But hang on, it doesn't seem to be all that easy, does it? Whenever have you experienced perfect sound as an audience member? And when have you ever felt that your band's sound has been delivered to the audience as well as it should have been? There must be additional criteria that need to be fulfilled to achieve satisfaction. And yes, there are. Three...

  • Adequate level, in relation to purpose (clearly, heavy rock music needs to be louder than a classical guitarist).
  • Low distortion, low noise and a flat frequency response.
  • Adequate clarity, in relation to purpose (speech requires near–100 percent intelligibility; all the words in a theatre musical must be easily understood; other forms of music may not need to be absolutely crystal clear).

Achieving adequate level is never a problem. It hasn't been a problem since the 1970s, when PA systems as we know them today had fully matured. All you need is a recognition of how many watts you require for a particular venue, usually calculated by rule–of–thumb and reference to past experience, and the budget to hire enough amplifiers speaker supplier and loudspeakers. Achieving low distortion, low noise and a flat frequency response hasn't quite been fully solved, although if the noise level of your PA is audible to the audience there's a fault somewhere in the system: power amplifiers in general have a better signal–to–noise ratio than just about anything else you'll find in the whole of sound engineering. The frequency response of PA loudspeakers, however, leaves a lot to be desired, and it is definitely true to say that the only thing that produces more distortion than a loudspeaker is the lead guitarist's screaming Marshall on overdrive. But even though not all is yet perfect regarding the above points, most people find the sound quality of a decent PA system acceptable. And the typical sound of a PA has almost defined people's expectations of what a PA should sound like. A circular argument, perhaps, but there's a lot of truth in it.

Il n 'y a pas de réponse: C' est clair.Il est possible de procéder à une analyse détaillée au sein du système pa.Mais quand elle est déployée dans une scène de concert de la vie réelle, elle ne semble pas claire.En tant qu 'auditeur, vous devez avoir vécu beaucoup de fois, ce bruit brouille vos oreilles, mais vous ne pouvez pas vraiment le décomposer en musique.La clarté est donc le dernier domaine non conquis de l'État de Pennsylvanie et le dernier problème majeur qu'il reste à résoudre.

Sur ce point, je dois revenir à une demande du PA, que j 'ai déjà dit: le système pa devrait être assez grand.Il n 'est pas difficile d' avoir un budget suffisant pour que ça sonne assez fort, mais il faut qu 'il parle assez fort pour tous les spectateurs, c' est un problème qui ne peut pas nécessairement être résolu en dépensant beaucoup d 'argent.

Il y a deux scénarios: le public assis et le public libre.Si le public est libre de se déplacer, des niveaux différents peuvent être établis dans les différentes parties du site.Ceux qui aiment le bruit sont attirés par le Haut - parleur.Ceux qui voudront peut - être parler dans l 'émission seront plus loin.Cependant, si le public était assis, la situation deviendrait soudainement plus difficile.Vous ne voulez pas faire sourder les spectateurs de l 'avant, mais les spectateurs de l' arrière.Si un niveau suffisant n'est communiqué qu'à certains auditeurs et non pas trop silencieux ou trop bruyant, le pa n'atteindra pas pleinement son objectif.Permettez - moi donc de résumer les exigences du pa en une simple déclaration: tous les auditeurs devraient jouir d'une voix de qualité suffisamment forte et suffisamment claire.

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CIE COMPANY

Foshan City Nanhai Kafu Professional Audio Equipment Factory was founded in 1999, located in Foshan, China. With more than 24 years operating, we have built up mature products technology, high quality production system and after sale service system. Our products include passive&active line array speakers, full range speakers, subwoofer, power amplifiers, digital processors and peripheral products and and all accessories, which have been successfully applied in public entertainment market, government affairs,business conference, public cultural and sports market.
Foshan City Nanhai Kafu Professional Audio Equipment Factory
+86-15989759016